Features Four Frames

A family in crisis: Masahiro Kobayashi’s Lear on the Shore

A beach at the seaside is the main location in Masahiro Kobayashi’s Lear on the Shore (Umibe no Ria, 2017) and the key setting for a number of dramatic encounters. The former actor Chokitsu Kuwabatake (Tatsuya Nakadai), dressed in pyjamas and a long woollen coat and pulling a suitcase behind him, walks along the beach […]

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Visual Poetry: Akira Kurosawa’s Throne of Blood

Inspired by William Shakespeare’s Macbeth, Akira Kurosawa created, with Throne of Blood (Kumonosu-jo, Japan, 1957), visual poetry: in black and white, light and shade, movement and immobility. Kurosawa does not try to put Shakespearean English into Japanese. Instead, image and rhythm replace words, pointing to the visual nature of Shakespeare’s language. In this way, Kurosawa, […]

Features Thousand Words

Thousand Words: From Shakespeare to Kurosawa (Ran, 1985)

William Shakespeare’s The Tragedy of King Lear was the main inspiration for Akira Kurosawa’s Ran, and this French-Japanese production shows many thematic and narrative similarities with Shakespeare’s play. Both works depict the fate of a man who has fallen from grace: Lear in the English play, Hidetora in the Japanese film. Both protagonists are old […]