Cube: An Endless Existentialist Escape
Weaving horror techniques with philosophical undertones, Cube (1997) navigates the dark recesses of humanity in a mechanical enigma. In a…
Recent Posts
Toshiro Mifune in Mexico: Ismael Rodriguez’s Ánimas Trujano
Ánimas Trujano (Mexico, 1962) starts as a documentary film with images of a festival which the villagers in the Mexican…
The beauty of free movement: Akira Kurosawa’s Uma no uta
In his autobiography, Something Like an Autobiography, Akira Kurosawa mentions that since his youth he had loved horses and had…
Renaissance Woman and Dance Hall Days in the Alienated City
Special Service agent Richard Chance (William Petersen) approaches both his job and his life with reckless abandon, throwing caution to…
Film Noir Style: Peggy Cummins in Gun Crazy
As the clocks turn back and the weather turns cold, I turn back to my favourite genre, film noir, transforming…
War as absurdity: Kihachi Okamoto’s Desperado Outpost
Desperado Outpost (Dokuritsu gurentai, Japan, 1959) starts with shots of a man on horseback in a landscape reminiscent of a…
Frustrations of the Family Dynamic in Joanna Hogg’s Archipelago
Joanna Hogg’s second feature film follows in the footsteps of her first. Like Unrelated (2007), Archipelago (2010) is a brutally…
Searching for salvation: Kei Kumai’s Deep River
Kei Kumai’s Deep River (Fukai Kawa, Japan, 1995) starts with images of a Hindu temple in ruins and shots of…
Lost Classic: Taylor Sheridan’s Wind River
Taylor Sheridan’s Wind River (2017) pitches us into an unforgiving wintry environment and declares once and for all, as if we…
