Searching for salvation: Kei Kumai’s Deep River
Kei Kumai’s Deep River (Fukai Kawa, Japan, 1995) starts with images of a Hindu temple in ruins and shots of…
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Lost Classic: Taylor Sheridan’s Wind River
Taylor Sheridan’s Wind River (2017) pitches us into an unforgiving wintry environment and declares once and for all, as if we…
Todd Solondz: The home as a battlefield in Happiness and Life During Wartime
In Happiness (1998), the ever-smiling Trish (Cynthia Stevenson), in her neat kitchen, is strongly reminiscent of the female ideal as…
Lost Classic: Tony Williams’ Next of Kin (1982)
After languishing in obscurity for decades, Tony Williams’ cult horror oddity, Next of Kin (1982), has finally been released on…
The long way back to normality: Shohei Imamura’s The Eel
After serving eight years in prison for the murder of his wife, Takuro Yamashita (Koji Yakusho) is released on probation…
How Andrzej Wajda used cinema to reveal hidden truths about his nation
Andrzej Wajda started his career as a filmmaker in post-war Poland. His early films – A Generation, Kanal, Ashes and Diamonds, Lotna and…
Natasha Richardson in The Comfort of Strangers: A journey into the Armani style of the 1990s
In 1980, Paul Schrader’s American Gigolo launched Giorgio Armani’s career. The designer went on to revolutionize fashion, and menswear and…
Social criticism and the inner journey in Battle Royale
In one of the first sequences of Kinji Fukasaku’s Battle Royale (Batoru rowaiaru, 2000), a group of boisterous pupils on…
Discover this generation-spanning drama about old age in the modern world
An angry-looking man hastily leaves a shabby house in the middle of nowhere, repeatedly throwing his walking stick to the…
