Satire as social criticism: Nagisa Oshima’s Three Resurrected Drunkards
Three Resurrected Drunkards (Kaette kita yopparai, 1968) starts with a long sequence showing three young men enjoying themselves on a…
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Past Evils Return in Martin Scorsese’s Cape Fear
This quarantine provided the time to finally view Martin Scorsese’s remake of Cape Fear (1991), originally shot by director J….
New Releases: Clementine
Still recovering from a recent breakup, Karen (Otmara Marrero) drives to her ex’s unoccupied, secluded lake house. She breaks in…
New Releases: X
The psychosexual thriller has survived many iterations, from the highbrow (Eyes Wide Shut, 1999), to the gloriously over-the-top (Dressed to…
The Nest – Interview with costume designer Matthew Price
What remains if people let go of their illusions, or delusions? In one of the best films of last year,…
A manhunt in a period film: Hideo Gosha’s Bandits vs. Samurai Squadron
The recent discovery of Bandits vs. Samurai Squadron (Kumokiri Nizaemon, 1978), a film that I had never seen before, has…
Four Frames: The Lady Eve (Preston Sturges, 1941)
Shakespeare told us love is blind, although there are those who insist he stole it from Chaucer. It is Preston…
Brilliant Failure: Tom Tykwer’s Exuberant, Overwhelming Perfume (2006)
Inspired by and adapted from the novel of the same name, Perfume (2006) by Tom Tykwer is an offbeat thriller with oversaturated…
Best Films of 2020: Part II
Beronica Garcia Da 5 Bloods (Dir. Spike Lee) Spike Lee’s Da 5 Bloods comes at a pivotal time for the…
