Sociopolitical reality as horror: Joon-ho Bong’s The Host
The Host (Gwoemul, South Korea, 2006) starts with gloomy images in a morgue at an American military base in South…
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Todd Solondz: The home as a battlefield in Happiness and Life During Wartime
In Happiness (1998), the ever-smiling Trish (Cynthia Stevenson), in her neat kitchen, is strongly reminiscent of the female ideal as…
More Grunge Than Power Dressing: Kim Basinger in Nine ½ Weeks
Before the minimalism of the 2010s, there was the minimalism of the 1980s. The difference lies in the individualistic power…
Visual Poetry: Akira Kurosawa’s Throne of Blood
Inspired by William Shakespeare’s Macbeth, Akira Kurosawa created, with Throne of Blood (Kumonosu-jo, Japan, 1957), visual poetry: in black and…
Lost Classic: Tony Williams’ Next of Kin (1982)
After languishing in obscurity for decades, Tony Williams’ cult horror oddity, Next of Kin (1982), has finally been released on…
The art of the film poster: Interview with illustrator Tony Stella
How can you reimagine some of the best classic movies and give them new life? How can you visually capture…
La enfermedad del domingo – In conversation with Costume Designer Clara Bilbao
We first see Anabel walking the halls of her palatial home impeccably dressed for the evening and wearing towering heels….
Flowers of evil in Cold War Japan: Masahiro Shinoda’s Pale Flower
Pale Flower (Kawaita hana, 1964), set in the yakuza milieu, questions the codes of Japanese gangsters and subverts the gangster codes of the films…
Bradley Cooper’s rugged, real style in A Star Is Born
As he is spiraling down, she is blossoming. He is a seasoned, hard-drinking country-rock legend, she is a talented newcomer…
