Gloria Grahame’s best film noir performances: Part I
One of film noir’s defining actors, Gloria Grahame gave her femme fatale characters a raw, vulnerable sensuality. She was not…
Recent Posts
The she-panther and the yakuza in Drunken Angel
Drunken Angel (Yoidore tenshi, 1948) is Akira Kurosawa’s first film in which music, used at both a diegetic and non-diegetic…
Natasha Richardson in The Comfort of Strangers: A journey into the Armani style of the 1990s
In 1980, Paul Schrader’s American Gigolo launched Giorgio Armani’s career. The designer went on to revolutionize fashion, and menswear and…
Unlikely style inspiration: Jaws
A blockbuster in the 1970s meant an entirely different thing than it means today. Steven Spielberg’s Jaws (1975) is, plain…
Social criticism and the inner journey in Battle Royale
In one of the first sequences of Kinji Fukasaku’s Battle Royale (Batoru rowaiaru, 2000), a group of boisterous pupils on…
Revisiting Orson Welles’ searingly relevant portrait of US-Mexican relations
Orson Welles was never one to adhere to audience expectations, and when a contract deal forced him to adapt the…
Discover this generation-spanning drama about old age in the modern world
An angry-looking man hastily leaves a shabby house in the middle of nowhere, repeatedly throwing his walking stick to the…
The show-stealing style of Brigitte Lin in Chungking Express
At once hyper-kinetic and hazily romantic, Chungking Express is the quintessential film about loneliness in the postmodern metropolis. Set in…
Cary Grant’s impeccable style in To Catch a Thief
I watch Alfred Hitchcock’s films time and time again. For the thrills, for the visual flair and distinct atmosphere, for…
