The Big Picture is committed to giving young, emerging writers a voice in the world of film criticism. In our new feature, student writers from around the world share their insights on contemporary film and new releases.

The Big Picture is committed to giving young, emerging writers a voice in the world of film criticism. In our new feature, student writers from around the world share their insights on contemporary film and new releases.
The Big Picture is committed to giving young, emerging writers a voice in the world of film criticism. In our new feature, student writers from around the world share their insights on contemporary film and new releases.
Continuing In our new article series, in which writers select and discuss great director debuts to explore the possible origins of recurring themes or stylistic approaches, that often help to define the uniqueness of these one-of-a-kind filmmakers.
Prior to the release in 1976 of Martin Scorsese’s Taxi Driver, based on Paul Schrader’s screenplay, the popular image in movies of taxi drivers were of amiable but somewhat chatty folk — prone to waffle on about the weather, politics or state of world affairs, while passengers did their best impression of accommodating politeness. In […]
In a new feature, Aliza Richardson fixes her gaze on memorable houses in film, exploring their uniqueness as architectural marvels and evocative cinematic locations.
In a new article series, writers select and discuss great director debuts to explore the possible origins of recurring themes or stylistic approaches that often help to define the uniqueness of these one-of-a-kind filmmakers.
In Eyes of Laura Mars (1978), Faye Dunaway is a fashion photographer with a penchant for sensationalism and stylised violence in her imagery. But between the luridness of the fashion and the precision of her photography, there is something indistinct, unknown and unexpected that takes her to the edge. Director Irvin Kershner plunges viewers into […]
Warning: Spoilers Ahead The unlikely arrival of Diego Maradona into Naples on 5 July 1984, following a record transfer fee from Barcelona of £6.9 million, would change the fortunes of the city and those of its inhabitants who believed the footballing talisman to be no less than a God. In just three short years he […]
In a new article series, writers select and discuss great director debuts to explore the possible origins of recurring themes or stylistic approaches that often help to define the uniqueness of these one-of-a-kind filmmakers.