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Feature Four Frames

A Past Still Haunting the Present: Cédric Kahn’s The Goldman Case

In 1970, Pierre Goldman, a left-wing intellectual and militant, was arrested and charged with committing four armed robberies, including one of a pharmacy on the Boulevard Richard Lenoir in Paris during which two pharmacists – both women – were killed. In 1974 he was sentenced to twelve years in prison for the robberies and life […]

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Feature New Release Reviews

New Release: The Book of Clarence (Jeymes Samuel, 2023)

It’s rare in the modern Hollywood landscape to see movies that deal with faith in a very direct way. Religious epics were once a staple genre with the American world of movies, but perhaps more than any other genre, they’ve disappeared from popular American filmmaking since their heyday in the 1950s. What remains is a […]

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Emerging Writers Feature New Release

Emerging Writers – Tragedy in Saltburn: The Poison of Privilege

The Big Picture is committed to giving young, emerging writers a voice in the world of film criticism. In this feature, student writers from around the world share their insights on contemporary film and new releases.

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Feature Interview

The Holdovers: In Conversation with Production Designer Ryan Warren Smith

The Holdovers (2023), the latest film by Alexander Payne, after a screenplay by David Hemingson, is set in a New England prep school during a snowy winter break, on the backdrop of the 1970s. Paul Hunham (Paul Giamatti) is the professor who has to supervise a handful of boys who have nowhere to go for […]

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Feature Lost Classic

Lost Classic: The Holy Mountain, or, How to Awaken to Society’s Surreal, Unnerving Shadow Self 

When the sun is high, it casts the most unyielding shadows. And in Jodorowsky’s unflinchingly off-kilter masterpiece The Holy Mountain (1973), the sun is always out, illuminating the improbable tangents of the human condition and stirring the dark impulses that lurk in our culture’s crevices.  As a piece of high-camp, low-inhibition social commentary, The Holy […]

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Feature Four Frames

A Modern Nightmare – Shinya Tsukamoto’s Tetsuo: The Iron Man

Shinya Tsukamoto’s Tetsuo: The Iron Man (Tetsuo, 1989) presents a filmic universe haunted by visions of flesh and metal in which the protagonist is transformed into a hybrid of man and machine. Along with Shozin Fukui and Sogo Ishii, Tsukamoto is considered one of the main representatives of Japanese cyberpunk, and Tetsuo: The Iron Man […]

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Feature Lost Classic

Lost Classic: Our Father, the Devil (Ellie Foumbi, 2021)

“We all have a past, but it doesn’t define us” one character says in Ellie Foumbi’s Our Father the Devil (2021). The film holds this assertion under close scrutiny. The story focuses on Marie, played by Babetida Sadjo, a Guinean immigrant living and working in rural France at a sleepy retirement home. She maintains a […]

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Feature News Reviews

The Best Films of 2023

Anatomy of a Fall (Dir. Justine Triet)This fitting and worthy Palme d’Or winner, with lead player Sandra Huller surely destined to pick up more awards, is something of a miracle, raw and real yet magnificently melodramatic in its courtroom twists and turns (writer-director Triet studied some classics, Anatomy of a Murder and Compulsion, both 1959, […]

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Feature Four Frames

A haunting wintry coldness: Kichitaro Negishi’s What the Snow Brings

A taxi driving towards the camera through mist and snow on a wide road – this lengthy first shot sets the tone for Kichitaro Negishi’s What the Snow Brings (Yuki ni negau koto, 2005). A cut reveals a young man in the back seat of the car. Wearing a trench coat, suit and tie, clearly […]

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